blenderwars Chapter 278: Gunpowder Smell Script Study Meeting
Chapter 278: Gunpowder Smell Script Study Meeting
Chapter 278: Gunpowder Smell Script Study Meeting
On March 3, the airport expressway.
Ye Qin, who just got off Fuzhou Changle International Airport, went to the filming location in the van arranged by the crew.
"Qin Zi, you won't be making big online movies again, will you?"
On the phone, Yang Man asked in a serious tone, Ye Guangji has fully rolled out this year, TV dramas, online dramas, movies, games, multi-point operation.
Although the book funds are rich, the big online movie is, after all, this uncultivated virgin land, and investment is still full of concerns.
"Sister Yang, I won't think about it for now!"
Ye Qin sat in the rear driver's seat, feeling complicated.
He never expected that "Relationship on Bed 2" would be so popular, and completely underestimated the realization of his traffic.
But no matter how popular it is, it doesn't matter to him anymore, the goal of promoting the development of micro-movies has been achieved.
It was even more unexpected to receive Kiwi's "Internet Movie" cooperation project.
"Kiwiguo invites us to customize the online drama, the price is very high, starting at 30 for a single episode, and we can talk about it again."
Yang Man asked: "You can discuss cooperation with Dai Ying. What drama do you think is suitable?"
Dai Ying is Kiwi's No. [-] character, the director of the self-made drama, who opened the Misty Theater, and a series of suspenseful crimes in "The Silent Truth" and "Innocent Proof".
Ye Guangji has a high-quality suspense IP, so he can cooperate with him for a long time.
"Ask Daewoo if it is willing to authorize the IP of "Sword" to create a sitcom similar to "Wulin Biography", "Sword Inn"."
Ye Qin hung up the phone, leaned back in the chair, and took a nap with his eyes closed.
………………
Why did Xu Shanzheng, Ning Hao and others boldly use new directors?
The premise of support is to replace the old with the new.
Newcomers are more aggressive and have ideas than old people. They will not be constrained by movie models and routines, and dare to break through.
The old director is burdened with fame and fortune, his aesthetics, lens language, and thinking will all be solidified, and he still holds on to his airs and bosses around.
Like Feng Pants uttering wild words: "I don't make movies, what are the audience watching!"
Hehe, without you, Chinese-language movies will continue to run.
Ye Qin pulls Lu Yang, pushes Xue Xiaolu a wave, in the first half of the year, the main tweets are Guo Fan and Su Lun, and then the main tweets are Wen Muye and others.
It is nothing more than taking advantage of the east wind of the commercialization of Chinese, stepping on the gas pedal in the collapse of the big guide structure.
It collapsed faster and more thoroughly!
The "Ye Qin breaks" that Fangte said was purely a joke.
People like Poet Chen, Pants Feng, and Chief Jia were actually abandoned by the audience.
Commercialization is an invisible hand, and slapping the big bosses teaches people how to behave. The remnants of the old era have no carrying boat in the new era.
Thus, Gu Photography carried his "camera and car town" and fell.
Thus, Poet Chen fell with his "Poetry and the Distance".
Therefore, Wang Sunglasses fell with half of the "I like" in the entertainment industry.
The box office of 10 billion has become a threshold for the big directors who can shake the wind and rain in the millennium.
Among the people in the Hong Kong circle, there are a few strong ones, except for the excluded Xingye, Wang Jing, Old Monster Xu, Lin Chaoxian...
Chen Kexin is one of them.
However, Ye Qin had just joined the team and attended the script study meeting, when he was told that Chen Kexin and Peng Sanyuan had a stalemate because of conflicting script ideas!
Confused with capital letters on his face, what the hell?
Before he could figure anything out, he was dragged to the round table.
But on this occasion, it was his responsibility to make the decision as a producer and producer.
………………
Minjian Quanzhou, No. [-] Overseas Chinese Village Guanyi.
In the entire old city, more than 200 people were squeezed into the crew.
In the March breeze, there is a faint taste of the sea, cold and refreshing, and it also contains a turbulent undercurrent.
In a shanty house, several electric fans creaked and turned.
Ye Qin gave the main seat to Chen Kexin, who sat next to Liu Tianwang.
Looking sideways, Liu Tianwang is old and handsome. At this time, he is wearing a hat, not to shade the sun to make him look handsome, but to shape the image of a character and press his hair.
Lei Zekuan wears a helmet for many years, and his hair will naturally be crushed.
Therefore, it can be said that Liu Tianwang acted well, but it must not be said that he acted carelessly.
"Ahem, Brother Hua, you are the lead actor. After working with you for a few days, what do you think of Director Peng's script?"
"The technique is more European and does not create a sense of reality." Liu Tianwang spoke half-salty Mandarin.
The directors of Huaxia Eight in the 90s are generally influenced by the third new wave, left bank school and other film trends, narrative, camera, composition, etc., avant-garde, realistic, impromptu, lyrical...
The sixth generation is the most influential generation.
Ye Qin also made up for a while of film knowledge in Ding Da Ren, and said casually:
"Director Peng's movie has the shadow of An Zhe."
[Angelopoulos, a famous Greek director, has been in the three major film festivals in Europe, and the literary cafe in the literary cafe. 】
"Yes, that's right. When I was studying at Nortel, my favorite was An Zhe from "Eternal and One Day". They all called me 'Angelopoulos Yuan', and I played all of my movies. Zhe's film."
Peng Sanyuan was very excited, Ye Qin opened his mouth and turned out to be an expert!
Liu Tianwang was very surprised, and gradually understood why this young man was so outstanding!
Liu Shishi sat opposite, holding the script in his hand, staring up at Ye Qin, the corners of his mouth slightly raised, and curled his lips arrogantly.
Hmph, the cups are here.
Peng Sanyuan insisted: "So Qin Zi, the script of this scene cannot be changed, if it is changed, it will lose its flavor."
"Chen Jian, what do you mean?"
Ye Qin asked for advice, and Chen Kexin explained on the table slowly:
"The positioning of "Lonely" should not be set as a warm road movie. Lost in the movie, it can't just be Lei Zekuan's motivation to go on the road. In the first half, Lei Zekuan's only narrative is the fishing boat looking for his son."
"Next, from looking for orphans to looking for relatives, there is no transition in the middle. If the child is not found, whether to persist or give up, the warmth reveals the pain and confusion of choices."
"I object!"
Peng Sanyuan immediately retorted, "I don't want to tamper with the prototype!"
Ye Qin rubbed his chin, this is the contradiction between artistic processing and reality.
Why do youth films have abortions, love triangles, fights, and dramatic conflicts?
Why do Korean dramas always have cancer, car accidents, and amnesia? The routines are old but very sensational.
Chen Kexin is a master at magically changing plots and imposing conflicts.
"Winning the Championship" is even more nonsense, and it is also a meritorious service. It has to portray Coach Chen as a screen image of gnawing chicken legs and playing tricks, with no ambitions.
There is indeed only one protagonist in the movie, and it is understandable for other people to set off.
But distorting and uglifying is by no means a normal artistic treatment.
In the final film, all the story lines about Coach Chen were cut out.
When asked how he wanted to change it, Chen Kexin leaned forward, and the light on his glasses flickered.
"In the middle, I failed to recognize my relatives, encountered heavy rain, pushed the motorcycle, and slipped on a stone slab. There was a cliff in front of me. I had the urge to jump off the cliff. I wanted to die."
"Then, the flag on the motorcycle was rattled by the strong wind, and the son on the flag seemed to be saying to him, Dad, I'm right there, waiting for you to find me."
Peng Sanyuan was anxious, and slapped the table: "No, this is Mr. Guo's personal experience, you are hurting twice! "
"I also don't want to copy the prototype case, which is tantamount to bringing secondary damage to the prototype!"
"Qin Zi, I see that the ideas cannot be reconciled."
Chen Kexin cleared his throat: "If you don't change, I think it's better for me to quit."
The words are concise and to the point, and the tone is decisive, and everyone who hears it is shocked.
Being able to rise to the level of producer and resign from the group is clearly an explicit statement, and I can't bear it.
In "Drunken Master 2", Uncle Long and Liu Jialiang quarreled because of their martial arts style, and Liu Jialiang did not choose to quit the group.
Ye Qin turned his head: "Brother Hua, what do you think, is it partial to European literature and art, or sensational and realistic?"
"I respect the director."
Liu Tianwang crossed his hands and showed a friendly smile.
Ye Qin was very helpless, there was a gap between Liu Tianwang and Chen Kexin, Chen Kexin commented that Liu Tianwang's acting skills were like McDonald's, but not the food.
After the two collaborated on "Certificate of Voting", they stopped cooperating.
Damn, it's time to test his producer!
Licking his lips, feeling that the atmosphere was becoming more and more oppressive, Liu Shishi lowered his head nervously, acting like an ostrich.
Glancing around, the crew members sitting around fell silent.
"Let's not talk about this first."
He changed the topic and focused on the narrative of the ending, splitting the shots.
"Why did you plan to pray to the Buddha?"
"I want to sublimate this film to a philosophical or religious story, which is called 'God's Mercy' in Western terms. At the end, it will rise to God and religion."
Peng Sanyuan raised his eyebrows confidently and said, "Don't you think it's very warm and intelligent?"
Smart hammer!
What kind of sublimation is this old routine!
After the release, the ending directly lowered the evaluation expectations. It is better to ask yourself than to pray for Buddha!
There are also aerial shots, which completely copy the long shots of An Zhe's "Landscape in the Fog".
At the end, the protagonist is also riding a motorcycle, and the camera slowly rises to the overhead mode.
Ye Qin was completely speechless, a new director needs training!
He looked at Chen Kexin, and Chen Kexin looked at himself, shaking his head and laughing.
Why was the script changed?
The simplest reason is that the plot design and character relationship are not novel, and the text language conflicts with the lens language.
Many screenwriters commit literary youth, sometimes for the "golden sentences" they write.Sacrifice the drama.
"33 Days of Broken Love" is an example. Xue Xiaolu spent a lot of time revising Bao Jingjing's book.
"Why not use Lei Zekuan's true story?"
"He said that when he was on his way home at night, the lights of the car were broken, and he found a car following him. He was faster and the other was faster, and he stopped and the other car stopped."
"Get out of the car and ask. The driver said that he was looking for the child, so follow behind to show him the way."
"The night is hazy, and a light shines in front of Lei Zekuan. Isn't this better than God's illusory mercy?"
Ye Qinqiao tapped the script: "We Chinese people don't believe in gods and emperors but only in ourselves. We are united and overcome all difficulties. Making this movie is also about caring for this great father."
"This is also a kind of light, isn't it warmer than the sun's light?!"
Peng Sanyuan felt like a thorn in his throat, but he had nothing to say, it seemed to be the reason.
"If there is no opinion, the script will be modified according to the intention of the producer Chen Kexin."
Ye Qin directly made a decision to end the dispute.
After the meeting ended, Liu Shishi ran over, "You are so overbearing now."
"Overbearing? It's about deciding the script, no, I always convince people with reason!"
"You are not overbearing, one-third of the script needs to be rewritten."
"Hey, I've been acting for so long, so I'm sorry to say a few words. The script of "Break Up Contract" is not suitable. I'll let the screenwriter Bangzi modify it. I'll do it again when I am satisfied!"
Liu Shishi stared blankly at Ye Qin pointing Jiangshan, showing adoring eyes.
But it's fleeting, don't turn your head: "Hmph, it's best to be restrained, someone in the crew whispered, saying that your script has been changed so aggressively, and you don't know what's going on when you're filming."
Ye Qin stretched out his finger, and flicked Liu Shishi's forehead lightly: "It's rare to see more strange, don't worry, I also respect the director, the premise is that she doesn't make too many mistakes!"
"Otherwise, if you see something wrong, or you can dig deeper, I might really intervene."
"you!"
Liu Shishi covered his forehead, showing his canine teeth, and unexpectedly stepped on Ye Qin's toe, the two of them were fighting like a brother and sister.
But in the eyes of outsiders, emm, there is a strong and strange sour smell.
Thank you book friend Xinxin for spinning the big 100 starting coins, and thank you book friend 20181007210407301 for the big 100 starting coins.
Thank you, Master Reader, for your monthly pass.
This An Zhe is admitted by director Peng Sanyuan himself, and it is by no means fabricated. He intends to write about the conflict between the director, the producer, and the producer.
(End of this chapter)